Sissinghurst in Vita’s ‘Sweet June’

Of all the gardens I’ve visited that merit the phrase ‘world-class’, Sissinghurst is near the top, along with neighbouring Great Dixter which I wrote about in my last blog post.  It’s not vast in scope, like Philadelphia’s Chanticleer (which I’ve written about a few times), nor does it have the artistic allure of Monet’s garden at Giverny (my spring visit is here), but it has the cult of personality of its founders, the enigmatic author Vita Sackville-West, seen below in a 1918 painting by William Strang, and her diplomat husband Harold Nicolson.  In what has been called an unconventional but harmonious marriage during which they wrote a combined 70 books, they each had a series of same-sex affairs including Vita with fellow Bloomsbury Group writer Virginia Woolf, who in 1928 wrote Orlando: A Biography, inspired by her lover:  a time-travel, gender-bending novel that has been adapted as a film and stage play .

Harold and Vita were also parents of two sons, Nigel and Ben, though Nigel remembered his mother for her frequent abandonments to be with her lovers. In 1973, he would publish ‘Portrait of a Marriage’, incorporating a memoir he found after his mother’s death exploring what she called her “duality” and her relationships with women, along with his own observations of his parents’ loving marriage. But together, Vita and Harold were deeply committed to the garden they designed on the large, run-down property they purchased in 1930. Vita was the romantic plantswoman; Harold was in charge of structure. He created formal rooms hedged in yew; she filled them with old French roses, peonies, irises and spring bulbs.  Beyond her novels and books containing her epic poems ‘The Land’ (1926) and ‘The Garden’ (1946), she also penned a weekly  column titled In Your Garden in The Observer from 1946 to 1957, later published as a 4-book anthology, below, and still available online.    

Sissinghurst was the reason for my early June stay in Kent, courtesy of my London-based son Doug and his partner Tommy.  Since we arrived early from our lovely Airbnb in nearby Biddenden and the garden only opens at 11 am, we had lots of time to cool our heels, walking from the parking lot on a path between the timber fence where native red campion (Silene dioica) competed with stinging nettles (Urtica dioica).

We passed the plant shop, where visitors could buy roses….

…. or any number of perennials, below.

We took a moment to gaze across the green fields of Sissinghurst’s 460 acres on the Weald of Kent, of which 5 are intensively gardened and 180 acres are woodland.  Here, visitors can walk their dogs, bird-watch and hike to their heart’s content.  And thanks to writer Adam Nicolson, Vita and Harold’s grandson (and the husband of British garden maven Sarah Raven), we have a beautifully-written recollection of the farm fields that enlivened Sissinghurst and gave it real purpose when he was a boy – and his own quest to return the working farm to the estate. This is from the excerpted first chapter of his lyrical book Sissinghurst – A Castle’s Unfinished History (2010).

Remembering what had been here, I came to realize what had gone: the sense that the landscape around the house and garden was itself a rich and living organism. By 2004, all that had been rubbed away. An efficiently driven tourist business, with an exquisite garden at its center, was now set in the frame of a rather toughened and empty landscape. It sometimes seemed as if Sissinghurst had become something like a Titian in a car park.”

We settled into the restaurant until opening time. One of the charms of Sissinghurst Castle Garden, which is run by the National Trust but relies heavily on volunteers, is that there are small touches like the pretty bouquets of flowers from the cutting garden.  This one features biennial dame’s rocket (Hesperis matronalis) and foxgloves (Digitalis purpurea) with annual cornflowers (Centaurea cyanus), golden alexanders (Smyrnium perfoliatum) and corn cockle (Agrostemma githago).

This posy featured many of the purples, blues and pinks that Vita adored.

There was a display of blue glass in one of the café windows, presumably part of Vita’s collection of coloured glass.

Attached to the Granary Restaurant are the oasthouse and rondels.  Built around 1880, they were still in use to dry and store hops for beer-brewing in 1966, a vital part of the hop-farming industry of Kent which continues to this day. Author George Orwell (1984, Animal Farm) picked hops in the region in the summer of 1931.  

Sissinghurst’s garden rooms are shown on the map below:

A – Priest’s House & White Garden; B – Delos; C – Top Courtyard, West Range and Purple Border; D – Entrance; E – Tower and Lower Courtyard; F – Yew Walk; G – Orchard; H – Rose Garden; I – South Cottage and Cottage Garden; J – Moat Walk and Azaleas; K – Nuttery; L – Herb Garden; M – Lime Walk 

I was first in line when the gates opened at 11 am, and as someone who has made “colour in the garden” a focus of my work, I wasted no time heading into one of the gardening world’s best-known meccas, the White Garden. Wrote Vita Sackville-West:  “I am trying to make a grey, green, and white garden. This is an experiment which I ardently hope may be successful, though I doubt it … All the same, I cannot help hoping that the great ghostly barn owl will sweep silently across a pale garden, next summer, in the twilight — the pale garden that I am now planting under the first flakes of snow. ”

June is the perfect time to see a White Garden, as I would also discover in the beautiful version designed by Mat Reese at Malverleys later in the week.  There are numerous white-flowered perennials, such as the bearded iris (possibly ‘White City’) and peony (likely ‘Festiva Maxima’), below…..

…. and lupines, softened by white-flowered umbellifers such as cow parsley (Anthriscus sylvestris) and annual Ammi majus.  

A statue stood in the shadow of a weeping silver pear tree (Pyrus salicifolia ‘Pendula).  Alas, a sunny June day in England and Sissinghurst’s late opening time meant bright contrast for photography, but we garden tourists take what we can get.

Minoan lace flower (Orlaya grandiflora) has become increasingly popular as a self-seeding annual in gardens.  White foxgloves and the white-flowered form of red valerian (Centranthus ruber ‘Albus’) add to the display, along with silvery artemisia.

Centaurea montana ‘Amethyst in Snow’ was introduced by my Facebook friend John Grimshaw of the Yorkshire Arboretum in 2000 and is now sold around the world, sometimes as ‘Purple Heart’. 

When I was walking out of the White Garden past the Priest’s House to head into the new Delos Garden, I spied this bellflower growing on the wall.  It is Dalmatian bellflower (Campanula portenschlagiana); perhaps unsurprisingly, it was once called C. muralis from the Latin ‘of walls’

Delos was a surprise. When we visited Sissinghurst for the first time more than 30 years ago, this part of the garden – originally inspired by a 1935 trip Vita and Harold made to the monument-rich Greek island – was not on view, or certainly unmemorable.  In 2018, Sissinghurst head gardener Troy Scott-Smith asked landscape designer Dan Pearson to re-invent the space. Dan wrote a beautiful essay for his newsletter Dig Delve about the process, including a childhood recollection by Adam Nicolson.   

An enthusiastic volunteer was on hand in the Delos Garden to help visitors with plant identification.

Wherever I went in England in June – including a visit to Dan Pearson’s garden the following week which I blogged about – I saw giant fennel. In Delos, Dan chose to use Ferula communis subsp. glauca.  As he wrote in an essay in Dig Delve, “This is the most elegant of all, in my opinion, for its slender limbs and burnished dark green leaf. I have planted it amongst the rockscape of the re-imagined Delos Garden I recently designed at Sissinghurst.

Like all giant fennels, it has a bright, yellow inflorescence.

In the garden stand three Greek marble altars originally brought from Delos in the 1820s, as Adam Nicolson recounted in Dig Delve.  “There is one element that reaches further back into history than the dreams of the 1930s: three cylindrical Greek marble altars, originally carved in the 3rd or 4th century BC decorated around their waists with swags of grape, pomegranate and myrtle suspended between garlanded bull-heads – boukrania – which now stand at key intervals along the central street of the garden.

Of their provenance, Adam wrote:  “Harold Nicolson’s great-grandfather was Commodore William Gawen Rowan Hamilton, a naval commander in the first years of the nineteenth century, a heroic and romantic figure and passionate Philhellene, who spent the years from 1820 onwards in the eastern Mediterranean, winning the title of ‘Liberator of Greece’ by protecting the Greek rebels against the Turks  From time to time during his cruises attacking pirates and fending off the Turk, he would land on an island or a piece of the Turkish-occupied mainland and quietly liberate an antiquity or two, sending them back to his liberal father-in-law in Ireland, Major-General Sir George Cockburn, a flamboyant antiquary who had made a collection of Greek statuary at Shanganagh, his castle outside Dublin.”  It was when the Irish castle was sold in 1936 that Harold Nicholson purchased the Delian altars and brought them to Sissinghurst.

As an aside, these days Delos is a UNESCO World Heritage Site, its monuments safe from pirates of all stripes.  When I visited in October 2011, below, it made me long to return in spring when the wildflowers were blooming.

Other Mediterranean flowers in the Delos garden include asphodels (Asphodeline lutea)….

…. pinks (Dianthus spp.)……

….. rock roses (Cistus) with happy hoverflies….

….. and the flamboyant red Paeonia perigrina with a visiting bumble bee.

Then it was out of the Delos Garden and off through the 16th century Tudor Tower that once held Vita’s writing room. Sissinghurst was owned by the Baker family from 1490. The first buildings were constructed around 1535 by Sir John Baker, Henry VIII’s Chancellor of the Exchequer.  Sir John’s daughter Cicely married Thomas Sackville, 1st Earl of Dorset – thus a connection to Vita Sackville-West four centuries later. The tower, octagonal turret and a large courtyard house were built by Sir John’s son Richard Baker between 1560-1574; Queen Elizabeth I enjoyed a stay here at that time.  The Baker family fortunes declined and two centuries later, the house and tower were requisitioned by the state to house 3,000 French prisoners-of-war during the Seven Years War 1756 -1763.  There is still graffiti in French from those prisoners on the walls of the tower. Later it became a parish poorhouse and farm, including hop-growing. Around 1800, the main house was demolished by its new owner. When Vita and Harold bought Sissinghurst in 1930, she refurbished the three-storey tower, adding a fireplace to the ground floor room and creating a writing space and library for herself upstairs. It has recently been renovated, complete with her pink walls. During World War II, the tower was used as an observation post since the English Channel was effectively controlled by the Germans whose shelling of the Kent coastline and its towns, according to the BBC, led to the county being called “hellfire corner” and “bomb alley”.  (Sissinghurst has a long history nicely encapsulated here by the National Trust who took over the property in 1967, five years after Vita’s death.)

I found this photo in a Heritage Records document for Sissinghurst.

Clambering up the back of the Tower was Lady Banks rose (Rosa banksiae ‘Lutea’) …..

….. with its clusters of pale yellow roses.

The courtyard adjacent to the Tower contains Vita’s Purple Border. When I visited, it was filled with Gladiolus byzantinus subsp. byzantinus, below, also beloved by Christopher Lloyd and Fergus Garrett for the meadows at Great Dixter which I blogged about recently.   

I loved the way the purple centres of Allium basalticum ‘Silver Spring’ echoed the colour of the gladioli.

There were so many lovely vignettes here, including the opium poppies (Papaver somniferum) with dame’s rocket (Hesperis matronalis), but time was a-marching.

Then it was into the Rose Garden, with its lush profusion of roses surrounded by early June flowers such as blue Italian alkanet (Anchusa azurea) with magenta foxgloves and euphorbia, below.

It was utterly magnificent – and a little heartbreaking for a photographer hoping for just one cloud to float by above to soften the shadows.

Vita loved her roses. This is ‘Fantin-Latour’, a Centifolia named for the Impressionist painter and introduced into the UK in 1945.  Pruning and training of roses is taken very seriously at Sissinghurst. According to Sarah Raven, wife of Vita’s grandson Adam Nicolson, The big leggy shrubs, which put out great, pliable, triffid arms that are easy to tie down and train, are bent on to hazel hoops arranged around the skirts of the plant. Roses with this lax habit include ‘Constance Spry’, ‘Fantin-Latour’, ‘Zéphirine Drouhin’, ‘Madame Isaac Pereire’…”

Irises play a starring role in the Rose Garden in June. This is the bearded iris ‘Shannopin’, a 1940 American introduction grown by Vita that looked utterly lovely with the alliums just going over.

Siberian iris (Iris sibirica) grow in the mix in the Rose Garden, here with dame’s rocket (Hesperis matronalis) and red campion (Silene dioica).

Annual honeywort (Cerinthe major ‘Purpurascens’) with its sensuous blue bracts is used extensively at Sissinghurst, here with ranunculus.

Yellow lupines make an appearance in the Rose Garden as well.  (I’ve read the odd comment that yellow is discordant in this garden, but when you already have a Purple Border filled with purple, mauve, blue and pink flowers, it seems to me that the odd splash of yellow is perfectly fine.)

Moving out of the Rose Garden, I found the Lime Walk: an allée of pleached linden trees (Tilia platyphyllos ‘Rubra’). Unlike the rest of the gardens at Sissinghurst, this was all Harold Nicolson’s creation, not Vita’s – he called it “my life’s work”.  It is underplanted with masses of spring bulbs, making overplanting difficult, thus it looked a little bare in early June.

The statue at its terminus is a Bacchante commissioned by the National Trust from sculptor Simon Smith who carved it using Carrara marble from the Cava di Michelangelo and installed it in 2016.  On his page, the artist says: “The sculpture depicts a dancing girl, slightly drunk, who has suddenly noticed something in the distance”.   What could it be?

If he were a little closer, she might have noticed the young man below, standing in a shade-dappled carpet of ferns in The Nuttery.  In the spring of 1930, when Harold and Vita were considering whether to buy Sissinghurst with its ruined buildings, Harold wrote: ‘We come suddenly upon a nut walk and that settles it…’  The garden features 56 coppiced hazels (Corylus avellana) and a variety of woodland plants.

The Moat Walk features Wisteria floribunda ‘Alba’ espaliered on a brick wall facing an azalea bank across the lawn.

After the cool green of the Lime Walk and Nuttery, the South Cottage Garden — my final stop — was a burst of June sunshine with its warm palette of yellow, chartreuse, orange and red. I would have stayed here a long time if we hadn’t had to find lunch before visiting Great Dixter in the afternoon.

You can see a little of the South Cottage behind the geums and irises….

…. and the wallflowers. When Vita and Harold bought Sissinghurst in 1930, the cottage was a fragment of the ruins of the original 1570 house. They restored and extended it that decade and it became the intimate place where each had a bedroom and Harold had his office overlooking the garden.

The colours here seem to glow, including the lacy yellow fumitory (Corydalis lutea), hakonechloa grass and golden iris….

…. and the night-scented flowers of the unusual evening primrose Oenothera stricta ‘Sulphurea’.   

Corn poppies (Papaver rhoeas) were sprinkled about….

…. and it was a thrill, in my final moments at Sissinghurst, to glimpse the last of all tulips to flower, the tall, blazing-red Tulipa sprengeri.   What a joy this sunny June garden was, as were the pale flowers in the White Garden and the abundance of the Rose Garden.

I will leave the last words to Vita Sackville-West, from her poem The Garden (1945)

Sweet June. Is she of Summer or of Spring,
Of adolescence or of middle-age?
A girl first marvelling at touch of lovers
Or else a woman growing ripely sage?
Between the two she delicately hovers,
Neither too rakish nor, as yet, mature.
She’s not a matron yet, not fully sure;
Neither too sober nor elaborate;
Not come to her fat state.
She has the leap of youth, she has the wild
Surprising outburst of an earnest child.
Sweet June, dear month, while yet delay
Wistful reminders of a dearer May;
June, poised between, and not yet satiate.

Malverleys – A Garden of Rooms

On my recent trip to England with Carolyn Mullet’s Carex Tours, one of the most beautiful gardens we saw was Malverleys, a private home in East Woodhay, Hampshire featuring an 1870s house on a 60-acre estate, of which 10 acres are intensively gardened, and the rest parkland or sheep pasture. We strolled in past the Topiary Meadow, formal yew topiaries in an ebullient meadow of wildflowers and grasses, reminiscent of the meadow at Great Dixter that I’d seen just days earlier. That isn’t surprising, perhaps, since Malverleys’ grounds manager is…..

……Mat Reese, who after training in horticulture at college, worked at Wisley, then Kew, before working with the late Christopher Lloyd at Dixter. Mat has become well-known in English gardening circles for his regular features in Gardens Illustrated that explore design principles he’s used at Malverleys. He makes a few introductory remarks, then leads us on our tour.

We begin in the Cloister Garden with its long rill and arching fountains leading from a statue of Neptune under a double allée of Japanese cherries.

The walls of the Cloister Garden are layered Cotswold stone topped with curved York stone slabs and adorned here and there with red valerian (Centranthus ruber). On our visit, the beautiful climbing rose ‘Meg’ was in full bloom.

‘Meg’ is a repeat-flowering, fragrant climber introduced in 1954 and still winning plaudits.

One of the notable features at Malverleys is that the gardens almost always frame the view from one garden into another . Here we see the neighbouring Hot Garden from the Cloister….

…… and the perfect frame of the statuary in the Cloister looking back from the Hot Garden.

Note the view from the sunken Hot Garden to the ornate chicken house/dovecote across the way. Though this garden was going through what the English call “the June gap” between the bulbs and early perennials of spring and the fulsome bloom of midsummer, it features a host of vibrantly-coloured trees, shrubs and herbaceous plants. The shrub rose at left, below,

…. is a dark-eyed cultivar called ‘For Your Eyes Only’, part of a trend in rose hybridization to use Rosa persica, which was once classified as Hulthemia persica but has now joined the Rosa genus.

The Hot Garden features strong colours of red, orange, pink and yellow with foliage extending from purple to chartreuse-gold. Aquilegia ‘Yellow Star’, Cotinus coggygria ‘Royal Purple’ and a lupine I believe is ‘Beefeater’.

Special plants are used here and in all the gardens. Below is Toona sinensis ‘Flamingo’ with its pink spring foliage that turns yellow before becoming green in summer.

I’m a great fan of lime and chartreuse foliage to liven the garden, and Cornus controversa ‘Aurea’, below, with its layered branching is one of the finest large shrubs.

At a different scale, but also bearing delightful gold leaves is the golden ghost bramble, Rubus cockburnianus ‘Goldenvale’.

The view, below, at the entrance into the Pond Garden from the Hot Garden is one of my favourite images from my stay in England.   The statue is framed by Magnolia ‘Susan’ and the cascading flowers of Wisteria x valderi ‘Burford’. To the right are the yellow umbel flowers of giant fennel, Ferula communis and at lower right, Phlomis fruticosa. The wisteria is a hybrid of W. brachybotrys x W. floribunda, by wisteria expert James Compton, formerly head gardener at Chelsea Physic Garden.

Though the pond is a formal rectangular shape, its plantings are naturalistic, evoking a pond in a wild setting. Once again, you also see the view right through to the chicken house.

Next up is the Cool Garden with its copper water basin and relaxed planting scheme of blues, lavenders, whites and mauves.

Here the formality of the statuary contrasts with the cottage garden ethos

There’s a meadow-like quality to combinations here, like the columbines, blue woodruff and pink chervil.

Annuals such as blue woodruff (Asperula orientalis), below, are used throughout Malverleys to lend colour thorughout the season.

I love the delicate pink flowers of hairy chervil (Chaerophyllum hirsutum ‘Roseum’), one of many perennial umbellifers used at Malverleys.

Another annual used extensively by Mat in several gardens is slender corn cockle, Agrostemma gracile ‘Pink’, native to Greece. Below we see it with creeping navelwort, Omphalodes verna.

The most intensively-gardened part of Malverleys is the area around the 1870s house – a parallel border along the terrace, the East Border separating it from the other gardens and the Wedding Ring Border leading from the entrance, where Mat Reese lost his ring many years ago. Here, a late lilac was in flower, Syringa x josiflexa ‘Bellicent’ bred in 1936 by the renowned Canadian hybridist Isabella Preston.

Colours in the house borders are rich and jewel-like, with lots of purple, blue, magenta and red.

The walls of the 1870 Victorian mansion are cloaked with climbers……

….including Rosa ‘Buff Beauty’ and the yellow form of Lady Banks’ rose, R. banksiae ‘Lutea’. Plants like santolina are allowed to spill across the paving.

In the Terrace Garden is a single hybrid tea whose interesting pedigree resonated with Mat Reese. For this particular rose, ‘Mrs. Oakley-Fisher’, from 1921, is a cutting that came from a rose at Great Dixter that was in turn grown as a cutting sent by Vita Sackville-West to Christopher Lloyd many decades ago.

Again, we see the beautiful Lupinus ‘Beefeater’ in the house border, paired with the lilac-purple Californian native lacy phacelia, Phacelia tanacetifolia.

The bright magenta Byzantine gladiolus, G. communis var. byzantinus, plays a starring role in the house border, along with various alliums, perennial geraniums, eryngium, honeywort (Cerinthe major ‘Purpurascens’) and tall mauve corn cockle (Agrostemma gracile ‘Pink’).

Here is a detail from this lovely purple-blue-magenta border: Eryngium x zabelii ‘Big Blue’ & Geranium ‘Dragon Heart’

And another pretty pairing with slender corn cockle, Agrostemma gracile ‘Pink’ and Geranium ‘Brookside’

Leaving the House Garden, we come to The Stumpery. Popular in the Victorian era, it is described on the Malverleys website as a “woodland folly constructed out of a collection of old tree stumps positioned at dramatic angles”. Irrigated via overhead misting, it creates moisture needed for tree ferns and other shade-lovers.

There is a slightly Jurassic Park feeling to this little garden.

Heading into the big Walled Garden, we come to a spectacular sight whose flowering was timed just perfectly for our visit: the magnificent laburnum arch (L. watereri var. vossii). I have visited the late Rosemary Verey’s famous laburnum arch at Barnsley House (and chatted with her in her dining room) and have strolled the lovely laburnum walk at Vancouver’s VanDusen Botanical Garden, but neither was as lusciously floriferous as Malverleys.

The Walled Garden is large and diverse. It features cutting gardens, a peony border, a tennis court (below)……

….. and ornate fruit cages.

I am delighted to see Malverleys’ fabulous specimen of the famous Rosa ‘Climbing Cecile Brunner’ at peak bloom. How lucky to be in England in a June when the roses here and in the Rose Garden at Kew, which I visited days earlier, are perfection. This rose was introduced in California in 1894 by the German-born breeder Franz B. Hosp, who noticed the long wands of flowers sporting on one of the Cecile Brunner polyantha sweetheart shrub roses he grew and selected it as a climber. Repeat-flowering, it will reach 6 m (20 ft) when happy.

The Kitchen Garden contains a profusion of leafy vegetables, many now destined to be featured in the brand-new…..

……Malverleys Farm & Dining  shop which just by chance happens to have its grand opening on the day of our visit. According to a December article in the Sunday Times, Emily von Opel, who with her husband Georg owns Malverley and loves walking the paths of the garden to “escape from the hustle and bustle of life”, decided to open the space to serve dishes made from the produce of the kitchen garden, provide a workshop venue and offer British-made homewares and plants for sale.

Doesn’t this bouquet say “June”, with all its romantic profusion?

Plants are offered for sale as well.

Finally…. I’ve saved the best for last, because Malverleys has justifiably become famous for its luscious White Garden. And having visited Sissinghurst’s renowned version just the week before, I would have to say that Mat Reese scores the grand prize for his interpretation, which is clearly at its peak in early June. Though most of the plants feature white flowers, there are a few, like the strongly-perfumed hybrid musk Rosa ‘Penelope’ with its pale peach-pink blossoms, included.

Peonies, white foxgloves, Eremurus ‘Joanna’, Lupinus ‘Noble Maiden’ and wisteria surround one of four formal raised pools in the White Garden.

And a final image from the White Garden of Papaver orientale ‘Royal Wedding’ and Lupinus ‘Polar Princess’. Thanks to Malverleys, for its horticultural excellence, beautiful design and generosity to the community.

*******

Like English gardens? Visit my blog on Dan Pearson & Huw Morgan’s ‘Hillside’ in Somerset.

A Love Letter to Smooth Solomon’s Seal

Each spring, I look with admiration on my drifts of an Ontario native plant that asks so little of me, but gives so much in return: Polygonatum biflorum, smooth Solomon’s seal.  Its tapered shoots emerge in April in my north-facing back garden, where the clumps under the black walnut tree that looms over my sideyard pathway are surrounded by the tiny flowers of the bulbous spring ephemeral Corydalis solida.

By mid-late May, looking back towards my garden gate, the corydalis has disappeared but the Solomon’s seals stand three feet tall.

It’s still early in the garden when they flower, the grasses in my deck pots still just inches high.

The colony in the back corner of the garden grows near a Tiger Eyes sumac and has as its neighbour fall monkshood (Aconitum carmichaelii ‘Arendsii’), not yet visible. Both enjoy the same shade-dappled, slightly moist, humus-rich soil.

It’s a testament to the travelling power of Solomon’s seals that they do sometimes subsume other plants. This ‘Ballade’ lily tulip – one of my favourites – is resisting.

But nothing keeps Allium hollandicum ‘Purple Sensation’ from rearing its pretty head.

My garden features a number of invasive plants – some native, like ostrich fern (Matteucia struthiopteris), others enthusiastic exotics, like my lily-of-the-valley, aka ‘guerilla of the valley’ (Convallaria majalis).  (I’ve written about that pest before in my blog about making a perfumed garden party hat!)  But Solomon’s seal is up to the challenge and can stand its ground.

One that didn’t fare so well in competition with the Solomon’s seals was wild geranium (G. maculatum), shown below in a photo from a previous spring.  

At the Toronto Botanical Garden, blue Amsonia tabernaemontana, shown in the background below, makes a pretty companion for Solomon’s seal.

I love the way the pearl-drop flower buds of smooth Solomon’s seal open, curling up their green tips like dainty skirts.

In November, the leaves turn yellow-gold.

Solomon’s seal and other woodland lovers were featured in ‘Shady Lady’, one of #Janetsfairycrowns from 2021, which I blogged about last year.

My next-door neighbour grows smooth Solomon’s seal as well; it met with the approval of the resident male cardinal.

Finally, speaking of cardinals, here’s a tiny video made in my garden featuring smooth Solomon’s seal with my regular choristers, cardinals and robins.

Monkshood & Snakeroot for a Fall Finale

What a luscious October afternoon! I looked out my back window and was drawn, as I always am this time in autumn, to the furthest corner of the garden, where a little fall scene unfolds that I treasure more because it’s a secret. Want to see it?  Let’s take a little stroll past the messy pots on the deck with their various sedums and swishing sideoats grama (Bouteloua curtipendula) out into the garden past the table and chairs that haven’t been used since… when? August?

Janet Davis-garden-autumn

Keep going to where the lovely chartreuse Tiger Eyes sumac (Rhus typhina ‘Bailtiger’) is currently doing its Hollywood star thing in brilliant apricot…..

Tiger Eye Sumac-Rhus typhina 'Bailtiger'-fall color

But what’s this scene, just behind it?

Tiger Eye Sumac-snakeroot-monkshood-Janet Davis

Yes, two stalwarts of the autumn garden – and I mean autumn, fall, October!  Autumn monkshood (Aconitum carmichaelii ‘Arendsii’) and autumn snakeroot (Actaea simplex), aka fall bugbane. Each year, they flower at the same time, and enjoy identical conditions in my garden, i.e. the most moisture-retentive soil (lowest corner of the garden by a few inches), with reasonable midday sunshine but dappled shade a good portion of the day. The fragrance of the snakeroot is fabulous, something a little soft and incense-like, or reminiscent of talcum powder (in the nicest way).  Colour-wise, I love blue and white, from the earliest anemones-with-scilla in April to this shimmering, assertive finale.

Janet Davis-Actaea simplex & Aconitum carmichaelii 'Arendsii'

And did I mention pollinators? As in bumble bees of different species, honey bees……

Pollinators-autumn garden-fall snakeroot & monkshood-
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(WHO has the beehives near my house? I’d love to know)…..

Honey bees-Apis mellifera-Actaea simplex-fall snaekroot

……hover flies…..

Hover-fly on fall snakeroot-Actaea simplex

….and paper wasps, below, as well as ants and cucumber beetles.

Paper wasp on fall snakeroot-Actaea simplex

Monkshood is deadly poisonous, but its pollen seems to be an attraction for bumble bees and honey bees once the asters have finished up.

Bombus-Fall Monkshood-Aconitum carmichaelii 'Arendsii'

Finally, do note that the snakeroot is not any of those fancy-schmancy dark-leaved cultivars like ‘Brunette’, but the straight species with plain-Jane-green-foliage,. And that it used to be called Cimicifuga, but the gene sequencers have now moved it into Actaea.  It is a lovely plant and should be used much, much more.

June Whites

I was reminded today, as I drove through Mount Pleasant Cemetery, then home again, that this particular time in June is resplendently white in blossom.  Seriously, there are white flowers everywhere!  Let’s start in the cemetery with this rather rare shrub, Oriental photinia (P. villosa). A member of the Rosaceae family, it has lovely yellow leaves in autumn.

Photinia villosa-Oriental photinia

The fountain-like Van Houtte spireas (Spiraea x vanhouttei) were almost finished, but I managed to find one little branch that hadn’t yet browned.

Spiraea x vanhouttei

Kousa dogwoods (Cornus kousa) were looking paricurly lovely with their creamy-white bracts.

Cornus kousa-dogwood

Japanese snowball (Viburnum plicatum) was beautiful, too.

Viburnum plicatum-Japanese snowball

There were peonies in my favourite memorial garden at the cemetery, including this lovely single white.

Paeonia-white peony

Deutzias grace the cemetery, and I was interested that although there were matching Lemoine deutzias (D. x lemoinei) on either side of a grand tombstone, just one of the pair was attracting bees, lots of them. Only the bees know why the other shrub wasn’t attractive.

Deutzia x lemoinei with bee

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Deutzia gracilis

And the black locusts (Robinia pseudoacacia) were dangling their pendant flowers from the tall branches like tree-borne wisteria. Tonight, those flowers will perfume the air around them with their honey fragrance.

Robinia pseudoacacia-black locust-flower

When I pulled into my driveway at home, I was greeted by a little regiment of tall, double-white camassias (C. leichtlinii ‘Semi Plena’). I don’t normally plant double flowers, preferring to nurture the bees with single blossoms, but they were in a mislabelled package a few years back, and I do enjoy that they come into flower after the single blue Leichtlin’s camassia.

Camassia leichtlinii 'Semi Plena'

And as I looked out my kitchen window to the far corner of the garden, I admired one of my very favourite spring shrubs, the big pagoda or alternate-leafed dogwood (Cornus alternifolia) wtih its layered branches. It was doing a lovely pas de deux with my neighbour Claudette’s pale-pink beauty bush (Kolkwitzia amabilis).

Cornus alternifolia-Pagoda dogwood-with Kolkwitzia-Janet Davis garden

Here’s a closer look at those abundant flower clusters.  I do love this native shrub.

Cornus alternifolia-Alternate-leaf dogwood

And those are my June whites for today. Now all we need is a bride!

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I’ve blogged before about Mount Pleasant Cemetery. Here’s one with an autumnal flavour, and another about the magnificent trees in winter.