Design With Tulips Like the (Soon-to-be-Much Bigger) Toronto Botanical Garden

Posted on May 23, 2018 by Janet

In the past week, a few tidbits of information came across my desk. One was that the National Garden Bureau declared 2018 to be “The Year of the Tulip”. Well…. yawn. I tend to be a bit jaded on “The Year of”…. anything. I suppose it’s my nature to be cynical (ha!), but sometimes these public relation campaigns seem to be more about pumping sales (see those “Buy Now” links in the NGB’s right hand column? they lead to a Pennsylvania bulb dealer) than recognizing a true standout plant – or, as they say at the National Garden Bureau, a “bulb crop”. Anyway, it is spring, and I love tulips (that’s my front garden last spring from a previous blog, below), so okay, I’ll dial back my cynicism. YAY tulips! It’s your year! Party like it’s 1999!

The other tidbit that crossed my desk was a press release from the Toronto Botanical Garden, below.

This was BIG NEWS and more than 3 years in the making, thanks to the inspiration and impetus from Executive Director Harry Jongerden and the design and consulting skills of Forrec Ltd., W. Gary Smith and Lord Cultural Resources. From the initial meeting I attended in January 2015, when the TBG unveiled its “Integrated Conceptual Proposals”, to the three community input meetings hosted by the TBG and its consultants and landscape architects and the City of Toronto, below, to May 2018’s announcement, it represents a massive leap for our little jewel of a botanical garden.

My sincere wish is that this brave new parks/not-for-profit partnership gets all the financial resources it needs to create a magnificent, world-class garden in the fourth largest metropolitan city in North America!

So, given how prone I am to dubiously connecting one thing with another – and given that it IS spring – here are some fabulous ideas for tulips courtesy of the Toronto Botanical Garden and my 10-year archive of photos there, since the year it renamed itself and gave us so much inspiration on its 4 acres, soon to be 35 acres!

Plant them with daffodils!

This should be obvious, but it’s amazing that more people don’t interplant and underplant tulips with daffodils. The TBG is all over this idea, and here are some of the prettiest examples, starting with tiny daffodils (I’m going to guess ‘Tête à Tête‘) under the Darwin Hybrid tulip ‘World Peace’.

What about Tulipa ‘Orange Emperor’ with Narcissus ‘Thalia’?

If you like butterfly or split corona daffodils, try Narcissus ‘Printal’ with ‘Orange Emperor’.

Speaking of the Fosteriana tulip ‘Orange Emperor’, it plays a big spring role at the TBG. Here it is at the start of the Piet Oudolf-designed Entry Border with Narcissus ‘Professor Einstein’. So sturdy!

And this charming duo is Tulipa ‘Tom Pouce’ and Narcissus ‘Golden Echo’.

Plant them with grape hyacinths & real hyacinths!

If you’ve been to Holland’s Keukenhof Gardens in springtime, you’ll be familiar with those “rivers of blue” grape hyacinths (Muscari armeniacum). You can do that in your own garden, you know. When you’re planting your tulips, give them little rivers or lakes or even puddles of blue companions, like this. The light pink tulip here is ‘Ollioules’, the purple is ‘Passionale’, and the double narcissus is ‘Cheerfulness’.

Years ago, I found this duo at the TBG: Tulipa saxatilis ‘Lilac Wonder’ and Muscari armeniacum. Nice, right?

And look at this sumptuous vignette: Tulipa ‘Fire Queen’ with blue grape hyacinths (Muscari armeniacum and the emerging chartreuse foliage of golden tansy (Tanacetum vulgare ‘Isla Gold’).

I wish I had a name for the early tulip planted under the ‘Crimson Queen’ Japanese maple with its deep-red emerging leaves, below. But given that it’s interplanted with early-season hyacinths, it’s bound to be a single early tulip like ‘Couleur Cardinal’.

This little species tulip T. turkestanica seems right at home with fragrant hyacinths….

….as does the species T. humilis var. violacea.

Plant them with summer snowflake!

I don’t see a lot of summer snowflake (Leucojum aestivum) – which, despite its name, blooms in mid-spring, not summer – used in gardens, but it can be very pretty as a tulip companion. Here is L. aestivum ‘Gravetye Giant’ with ‘Daydream’…..

…. and in a more shaded position enhancing Tulipa sylvestris, the woodland tulip.

Pair them with emerging shrubs!

Why waste the drama of dark-leaved shrubs like Weigela ‘Wine & Roses’, when you can surround it with Tulipa ‘Queen of Night’? The peach tulip here is ‘Menton’, the white is ‘White Triumphator’.

Fothergilla gardenii is a spring-flowering native northeastern shrub that’s wonderful in combination with mid to late-season tulips. Here it is at Toronto Botanical Garden this spring.

Don’t forget that colourful coniferous shrubs can pair up nicely with tulips, like Tulipa ‘Purple Dream’ with the lime-gold foliage of dwarf golden arborvitae (Platycladus orientalis ‘Aurea Nana’).

Combine them with spring-flowering perennials!

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Then there’s Bergenia or ‘pigsqueak’ (why? I don’t know). This cultivar is ‘Eden’s Dark Margin’ and it’s been paired with Tulipa ‘Ice Stick’ and a dusky purple hellebore.

As an aside to ‘Ice Stick’, I found this little Kaufmanniana hybrid to be quite attractive to bees at the Toronto Botanical Garden.

The amsonias flower early and look great with late tulips. This is Amsonia orientalis with a white-edged tulip I believe is the triumph tulip ‘Kung Fu’ and the blowsy double early tulip ‘Monte Orange’.

And I love this serene combination of blue Siberian bugloss (Brunnera macrophylla) with Tulipa ‘Spring Green’.

…. and variegated Solomon’s seal (Polygonatum x hybridum ‘Striatum’) with Tulipa ‘Exotic Emperor’.

Cushion spurge (Euphorbia polychroma) is one of the earliest perennials and combines nicely with tulips of all colours. Shown below is pink ‘Ollioules’.

Combine them with Ornamental Grasses!

I adored this soft Tulipa ‘Silverstream’ and Carex combo from 2009, and some of those, variegated, colour-variable tulips still pop up, though the carex is long gone. But that’s the funny thing with carex. The brown New Zealand species like C. buchananii and C. comans often look pretty much the same in spring even when they’ve died in winter, so they make good tulip companions.

This is Deschampsia caespitosa with the burgundy-yellow, late tulip ‘Gavota’ and dark ‘Queen of Night’. I think this is stunning.

And you can weave tulips like a colourful river through grasses, as was done with these double-flowered tulips ‘Pink Star’ and ‘Monte Orange’ through emerging Calamagrostis brachytricha.

Fill their dance cards with pretty cousins!

Sometimes, certain tulips just seem to go well together, and the TBG has created some lovely combinations over the years. This pair is tulip royalty ‘Fire Queen’ and ‘Pretty Princess’.

In the same bed along Lawrence Avenue is a delicate pairing of purple Tulipa ‘Rem’s Favourite’ with pink ‘Playgirl‘.

Those romantic hues are used to lovely effect in Nature’s Garden, in the combination below of the triumph tulip ‘Synaeada Blue’ with two luscious parrot tulips, ‘Negrita Parrot’ and ‘Pink Vision’.

Playing a double striped against a single striped with similar colouring works with the double late tulip ‘Cartouche’ and the triumph tulip ‘Carnaval de Rio’ (aka ‘Canada 150’).

I thought this was a very clever combination of fringed tulips, with one colour reversing the other. The red is ‘Flamenco’; the yellow is ‘Davenport’.

And sometimes you have a tulip so beautiful, like luminous, yellow ‘Akebono’ (a double sport of the Darwin Hybrid ‘Jewel of Spring’), below, that anything looks good with it, including ‘Orange Emperor’ and ‘Purple Dream’.

You can riff on a cultivar name and get pretty combinations, like ‘Apricot Delight’ with ‘Apricot Impression‘ (both Darwin Hybrids).

I am very fond of pink and yellow combinations in spring, and this vignette from 2016 was one of my favourites: ‘Rosy Delight’, ‘Design Impression’, ‘Jenny’ and yellow ‘West Point’. (It should be noted that spring weather will often accelerate certain tulip types or delay others, and what combines one spring might be sequential the following spring – the luck of the draw.)

I may be a subtle meadow girl the rest of the year, but I don’t mind a boisterous spring garden party. How about this double-flowered tulip duo: yellow-orange-red ‘Sun Lover’ and ‘Double Negrita’?

Or this sunny party act: ‘Fire Wings‘and the late double ‘Sundowner’, with its changing sunset hues.

In truth, I love all tulips. After 5 months of winter, we all want a little party of colour, I think, and tulips offer an easy way to celebrate. Here’s a multicolour party, courtesy of the TBG.

Many of these tulips are in plantings donated by my friends Mary Fisher (the Mary Fisher Spring Garden near the shop) and Bob & Anne Fisher and other family members (the Ruby Fisher garden) near the fence in the Oudolf entry border. Hurray to them! And, on that cheerful note, I’d like to raise a glass – a tulip glass with a long stem – to Sandra Pella and Paul Zammit and the gardening staff of the Toronto Botanical Garden on its lovely tulip displays. And also a toast to Harry Jongerden and a much-expanded garden with a much-expanded vision (and hopefully, a much-expanded gardening staff)!

Finally, I would like to send out a little shout to the woman who supplies many of the Toronto Botanical Garden’s spring bulbs, my friend Caroline de Vries. If you’re Canadian and looking to buy excellent-quality bulbs at a very good price, check out Caroline’s company https://flowerbulbsrus.com/. It’s where I buy my bulbs!

Celebrating Canada’s 150th at Ottawa’s Tulip Festival

Posted on May 24, 2017 by Janet

On July 1, 2017, Canada celebrates a big birthday – we turn 150! The Dominion of Canada was signed into being in 1867; we were only four provinces then: Ontario, Quebec, New Brunswick and Nova Scotia. A century-and-a-half later, we are 10 provinces and 3 territories. Our nationhood is acknowledged on the Centennial Flame that has burned in front of the parliament buildings in Ottawa since our centennial in 1967.

I was in Ottawa last week to visit friends and catch a little of the Canadian Tulip Festival. Though there weren’t many tulips at the Parliament Buildings, I did the requisite “lie flat on the grass and attempt to get both tulips & Peace Tower in the shot”.

And since a lovely flame-like tulip called ‘Canada 150’ was introduced this year to commemorate our birthday, I decided to put all the flames together and try to ignite a bonfire!

The weather was perfect and cool when we were there, though the normally dry trail below the Parliament Buildings flanking the Ottawa River was still under water from this spring’s historic flooding of the area.

We began our tulip quest at lovely Commissioners Park adjacent to Dow’s Lake, where the tulips were splendidly arrayed between the lake….

…. and a residential neighbourhood.

Everyone was trying their hand at photography…..

….including the serious shutterbugs….

….and those who still seem to have good knees!

Some were mastering the tulip selfie. Smile!

Double-flowered ‘Miranda’ was a big hit (if you like red tulips on steroids….)

‘Pretty Princess’ is a sport of old ‘Princes Irene’.

I liked this citrus-flavoured tulip mix.

‘Ottawa’ is just one of a number of tulips named for Canadian cities.

‘Calgary’ is a pure white Triumph tulip.

And I’m sure there’s a joke somewhere in ‘Double Toronto’, especially if you come from elsewhere in Canada. As in: “Q. Why are Toronto tulips double? A. Because they think they’re twice as good as the other cities.”

Truth be told, I’m not a big fan of massive blocks of tulips in one colour, whether it’s at the Keukenhof in the Netherlands or Ottawa. I do understand they attract crowds to public places, especially in a city that features winter for half the year. And as a stock photographer, I do love finding well-grown, labelled plants to shoot. However, as a tulip-lover, I’m partial to naturalistic designs incorporating them with perennials, as I illustrate in this video of my own front garden yesterday. But if I had to name a favourite planting at Commissioner’s, this would be the one – a big, happy circus of tulips.

There were more than just tulips in the park, like these lovely late daffodils….

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There is also a row of interpretive signs at Commissioners Park describing the origins of the Tulip Festival, the first 100,000 bulbs a gift from Princess Juliana and the Netherlands in dual gratitude to Canada for providing a safe haven for her during the 2^nd World War and also for liberating the country in spring 1945. The Netherlands royal family and Dutch bulb growers continue to send 10,000 bulbs to Canada each year.

On our second full day of three in Ottawa, we visited Major’s Hill Park, across from the beautiful, Moshe Safdie-designed National Gallery.

I loved this view of the Gallery’s atrium through elderberry flowers (Sambucus pubens).

This is the National Gallery entrance, from a previous visit.

And since we’re here, this is ‘Maman’ by the late French-American artist Louise Bourgeois (1911-2010), in tribute to her mother. At the time, in 2005, its $3.2 million price tag made it the most expensive artwork acquired by the gallery.

Behind ‘Maman’ is the Notre Dame Cathedral, with its twin spires that peek out over this cloud of serviceberry flowers (Amelanchier) from the park.

There were lots of tulip-lovers at this centrally-located site, which has a spectacular view of the Parliament Buildings and the Ottawa River….

…. and the Douglas Cardinal-designed Canadian Museum of History across the river in Gatineau, Quebec. Both the National Gallery landscape and the landscape of the Museum were designed by Vancouver’s renowned Cornelia Hahn Oberlander.

Little children ran around the brilliant tulips.

I have a special place in my heart for tulips that perform this brave task on behalf of misfits everywhere.

It was in Major’s Hill Park that I photographed the ‘Canada 150’ tulip…..

….with its white-edged leaves.

At the top of a rise, there’s a pretty tulip bed leading to the monument honouring Lieutenant-Colonel John By.

His statue looks out over the Ottawa River, which leads to the downtown locks and the Rideau Canal, his great engineering achievement on behalf of the British in the 1830s (and a fabulous winter skating rink for the people of Ottawa). His name is also memorialized in the nearby and fashionable Byward Market.

As the engineer in charge of this grand engineering project, By lived in a home on this site with a wonderful view of the river, Chaudières Falls and the Gatineau Hills. “Colonel By lived with his wife and two daughters in an ornate, cottage-style home. Visitors were charmed by the residence with its English gardens and surrounding pastures.” In 1848, long after he’d returned to England and the house was occupied by other officers, it was destroyed by fire, leaving the foundation cornerstones as part of a living museum here.

As my patriotic effort for this, our Sesquicentennial year I made a video of our Tulip Festival sojourn, complete with stirring national anthem soundtrack, followed by a lovely bit of music by an English composer named T.R.G. Banks, who generously makes his music available as public domain. Happy birthday, Canada. And many happy returns!

A Tour of My Spring Garden

Posted on May 18, 2017 by Janet

Come along with me on a little tour of my garden in mid-May! I’ve meant to do this for several years, and this is the perfect week, since the cool weather up til today has kept everything looking good. Not just that, but I splurged last autumn and bought quite a few spring bulbs from my pal Caroline de Vries, who owns FlowerBulbsRUs in Mississauga, Ontario. And my pal Sara Katz planted most of them. But for some reason, loads of my old tulips seem to have multiplied this spring, adding to the party. Let’s start in my front garden. Isn’t this fun? Though I’ve picked a lot of pinks and oranges, that luscious, black ‘Queen of Night’ is absolutely essential to make this garden ‘zing’.

Here’s a closer look, with the creamy fothergilla shrub and dainty ‘Thalia’ daffodils.

Study the first two photos and you’ll see that my spring bulbs emerge in a sea of green foliage. While a front garden full of invasive, agressive lily-of-the-valley might provide a beautiful, fragrant background for all these bright hues, it’s definitely not recommended as a design tool. Nevertheless, if you happened to read last spring’s blog about how to make a fresh-picked lily-of-the-valley hat, you’ll know that I’ve done my best to come to terms with these perfumed thugs.

I love finding pretty groupings to photograph, like the one below. And that dusty-rose tulip is a bit of a mystery. It might have been mislabelled – I didn’t order it – but it looks like ‘Champagne Diamond’.

It’s pretty gorgeous, whatever it is…..

I have nine Fothergilla gardenii plants in amongst the spring bulbs. Their foliage turns spectacular colours in autumn.

Here are some of my favourite tulips. Let’s start with an oldie, ‘Perestroika’. This tall, late-flowered cottage tulip has multiplied over the years.

And ‘Carnaval de Nice’ has stuck around pretty well, too.

This is ‘Crispion Sweet’ – isn’t it lovely?

‘Rococo’ is a luscious parrot tulip – and parrots are usually divas when it comes to longevity. But I planted these several years ago.

Here’s the lovely, late tulip ‘Dordogne’, below right, with ‘Queen of Night’.

There are loads of daffodils in the front garden as well. I decided to stick with white to cool down this hot-coloured scheme, so there’s a combination of ‘Thalia’ with (below) pure white ‘Stainless’ and orange-centred, spicily-perfumed ‘Geranium’.

The Back Yard

I have more spring happening in the back garden, so let’s head there. It might be fun for you to see it from my bedroom window. That big cloud of white in the centre is Malus ‘Red Jade’, my lovely weeping crabapple planted over the little pond.

If we head down to the deck, you get the view below. That’s fragrant snowball viburnum (V. x carlcephalum) right in front of the deck, just about to open its incredibly-perfumed flower clusters. The garden was designed to flow from the deck to the dining patio, which makes summer entertaining fun.

This is a closer view of ‘Red Jade’. It’s an alternate-bearer, meaning every other year it puts on a great show like this, followed by masses of tiny red fruit. It flowers very sparsely in the ‘off’ years.

Here’s a view of the back of the house, from under the crabapple.

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I’ve had the pagoda lantern for a long time. Though this little garden isn’t classically Japanese, it had a bit of that feel, so I though the lantern worked with the pond.

I love this fresh combination in the lily pond garden, underplanted with self-seeded forget-me-nots (Myosotis sylvatica). Later, there is magenta phlox here.

The back garden is on the north side of the house, so it’s shadier. The tulips in my west border here tend to be surrounded by ostrich ferns, which would fill the entire garden if I let them.

This is ‘Mona Lisa’ – isn’t she lovely?

‘Ballade’ is one of my favourite tulips – a very good perennializer.

‘Texas Flame’ is no shrinking violet (!) and though I started with eight or so, I still have one or two that return each spring.

If I ever knew the name of the orange beauty below, I’ve forgotten it.

Same with this lovely, lily-flowered tulip…. maybe ‘Jacqueline’?

Native Virginia bluebells (Mertensia virginica) bloom in the ferns with the late tulips.

Where it’s sunnier, in the front as well as the back, there is elegant camassia (C. leichtlinii).

In my west side garden, Burkwood’s viburnum (V. x burkwoodii) is filled with fragrant blooms this year.

To access my east side garden, there’s a gate from the driveway fitted with a rusty, old heating grate. Have a peek down the path…..

Let’s go in and walk down it If you look back, you can see the gate. See the arched stems of Solomon’s seal (Polygonatum biflorum)? They’re one of my favourite natives and so easy to grow. That’s European ginger (Asarum europeaeum) at the base of the black walnut tree.

There are bleeding hearts in this pathway, too.

So that’s my garden in mid-May! I’ll leave you with this little video of my 2-year-old grandson Oliver, who enjoyed “tiptoeing through the tulips” in a thunderstorm a few days ago. Toddlers and tulips….. time is fleeting, and I’ve learned to enjoy them both for the short time they’re around!

Spring Lessons from Giverny

Posted on April 14, 2017 by Janet

Perhaps it’s folly to try to draw inspiration for our own gardens from one of the most famous gardens in the world – an enchanting 5 acres whose renown comes courtesy of its beloved former gardener and owner, Impressionist painter Claude Monet. The garden he made at Giverny is a short bus ride from the town of Vernon in Normandy, which is a 45-minute train ride from Paris’s Gare St. Lazare (direction Rouen). Now home to the Fondation Claude Monet Museum (Musée Claude Monet), the house and garden are visited by some 600,000 people annually.

When I was there a number of years ago, the Fondation allowed photographers and writers to apply in writing to visit on its closed day, Monday. I did so, and stayed in a bed & breakfast in the town of Giverny to be close enough to arrive early Monday morning and walk back to the b & b if it rained (which it did). However, they no longer close during the week and are open daily from late March through October 31^st, so everyone must line up for the 9:30 am opening (except those who buy their tickets ahead, allowing them to skip the line). In the summer months, the garden is often terribly crowded and difficult to get around, but on a morning or late afternoon in April, it can be quite delightful.

Interestingly, my photos come from a spring prior to British gardener James Priest’s tenure at Giverny, when the garden’s maintenance was still under the hand of head gardener Gilbert Vahé, who spent 34 years in the garden from 1977 (even before its reopening in 1980) to 2011. However, in 2017, with James Priest now gone, Vahé has come out of retirement to take over the reins once again, presumably to return the garden to some of its well-archived Monet-ness, i.e. “reproduction”, not “adaptation”.

Despite the fact that almost everyone who’s visited Monet’s garden has posted their photos or written a blog, and despite the fact that others think it’s just become too commercial or pretty, I believe that his garden offers some good lessons for all of us. Let’s explore a few.

1. DO NOT BE AFRAID OF COLOUR: My first lesson: Life is short, there are no rules, and a house can be pink stucco, with green shutters and veranda. Why not? Claude Monet, himself a master colourist, retained these colours for the house he first rented, then bought, living in it from 1883-1926. They were faithfully reapplied in 1980, when the house and garden were reopened after a restoration that brought it back to life after more than twenty years of abandonment following the bombing of Normandy during the Second World War. (And, honestly, I thought about working my Photoshop magic on the green paint of the veranda, below, but that’s what more than a half-million visitors will do to the stairs, and who am I to paint Monet’s house?)

2. BRING THE SAME COLOUR PALETTE INTO THE GARDEN: Given that your painted shutters and veranda are colourful, it follows that it’s a very good idea to extend that colour down to painted features in the garden like benches, fences and outbuildings. Not to be ‘matchy-matchy’, but so the eye moves easily from the house architecture right into the garden. This unified approach works whether you’re dealing with taupe or teal – or kelly green.

3. SPRING FOR SEASONAL BLOSSOMS FOR YOUR CONTAINERS: No, it doesn’t have to be a flowering crabapple tree and hothouse cinerarias in a ceramic Chinese pot, like Giverny, but do splurge on some pussy willows and daffodils and primulas to say farewell to winter and rejoice in spring.

4. TRY TONE-ON-TONE TULIPS: Let’s face it; this big bed would be truly boring if Giverny’s gardeners planted it with just one variety of tulip, so they don’t! They mix four cultivars, which the office could not identify for me, other than to say “four”. What that provides is a bit of pointillism that shimmers, rather than a block of colour. If you do this (and you should) make sure the tulips you choose are slightly different shades of a hue, but all the same class, whether it’s Darwin Hybrids, Triumphs or Late-Flowered tulips.

And be sure to remember the importance of humble, biennial forget-me-nots (Myosotis sylvatica) when you’re designing your tulip plantings. Such an easy, beautiful way to carpet bare spring ground.

5. USE PANSIES & VIOLAS: It takes some planning to produce the beautiful combination in the photo below, where purple pansies and violas are in full flower underneath the tulips as they come into bloom. In mild regions like Normandy, pansies have no problem overwintering. But in colder parts of North America, like Toronto (USDA Zone 5-Canadian Zone 6b), pansies should be planted the previous September so they have time to establish roots before winter. That actually coincides with bulb-planting time, so you can fine-tune your colour choices and positioning of the pansies as you tuck in the bulbs. It’s a good idea to add a mulch (use a layer of shredded, damp autumn leaves) once the ground freezes, and choose the hardiest pansies and violas you can find. Try Icicle Pansies which have been bred for cold winter regions. The Delta, Bingo and Maxim series are also reportedly hardy in the north.

6. FRAME A VIEW: There’s a Monet family story behind those big, old yews at the end of the 172-foot long Grande Allée, for they were once the final evergreens in a double line of conifers that hedged this path. They can be seen in one of the many paintings Monet made in his garden, Pathway in Monet’s Garden, 1900, below:

Monet, looking for more sunshine for the flower garden he was making in front of the house, cut all the path evergreens down except this last pair, which his wife Alice Hoschedé-Monet persuaded him to spare. Apart from the grandeur of the yews as a penultimate focal point before the house facade, look at the way the gardeners have used pink forget-me-nots edging that long path to draw your eye to the pink house, creating beauty out of geometry and symmetry.

7. COLOUR WITH PAINTBOXES: When Gérald Van der Kemp arrived in Giverny in 1977 to restore Monet’s abandoned house and property, there was precious little in the way of garden records. With his American wife Florence, he had earlier established the Versailles Foundation in New York, attracting wealthy American donors to fund the restoration of the palace and gardens at Versailles. And it was $2.5 million in further American funding that would pay for the refurbishment of Monet’s house and garden. For details on the garden in Monet’s time, Van der Kemp and gardener Gilbert Vahé sought the assistance of André De Villiers, assistant to Georges Truffaut, the French garden magazine publisher and nursery chain founder, who had visited the garden and Monet often (below).

As well, Alice Hoschedé-Monet’s great grandson, the late artist Jean-Marie Toulgouat still lived in Giverny and was able to provide Van der Kemp with family correspondence, journals and photos. There were also photos made by Claude Monet himself and visitors, as well as letters he had written or that others had sent to him that mentioned the garden.

As to the colour beds in the Clos Normand, we must imagine Monet playing with his paints, choosing felicitous combinations in the same way he might have combined pigments on his easel — which is why these beds have been described as paintboxes. Rather than a riot of colour, they are planted in discrete hues and kept separate from each other, below.

There are pinks….

….and mauves and lilacs….

…. and blues……

…. and yellows…..

….and reds that pair beautifully with the deep green leaves of emerging perennials…..

….and even the colour of the emerging peonies, here shown in the rings used to keep them upright in spring rains.

In Elizabeth Murray’s book Monet’s Passion: Ideas, Inspiration and Insights from the Painter’s Garden (1989, 2^nd edition 2010), she wrote: “To increase the various atmospheric effects of the garden, Monet planted rich orange, pink, gold and bronze wallflowers and tulips together on the west side of the flower garden to emphasize the effects of the setting sun.”

“Using blue with clear yellow was one of Monet’s favored color combinations…” wrote Elizabeth Murray, and this pretty pairing of Dutch irises with yellow wallflowers and tulips illustrates the wisdom of that choice.

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But it’s in the arrangement of the solid blocks of brilliantly-coloured tulips in the Grand Allée, looking under the rose arches towards the house…..

…..and to the bottom of the Clos Normand…..

….that we see the closest intimation of the paintings that Monet made in 1886 after visiting the bulb fields of Holland. Here is Tulip Fields With The Rijnsburg Windmill (1886)….

…and Tulip Fields at Sassenheim (1886).

It’s these powerful reminders of Monet’s art that makes the garden resonate for me.

8. PLANT FLOWERING TREES: Every garden needs trees with spring blossoms – Monet appreciated this, and painted the garden when his trees were in bloom, as in Springtime at Giverny (1886), below:

Whether ornamentals, like the many lovely Japanese cherries, including slender Prunus serrulata ‘Ama-no-gawa’, shown below in the Clos Normand……

….or edible fruit trees such as pears, plums and apples – like the beautiful espaliered apple trees trained as fencing around the lawn, below, spring-flowering trees play a structural role in Monet’s garden.

9. REMEMBER FRAGRANCE: It’s a simple lesson, but one that we often forget. Scented flowers should be planted where we can appreciate their fragrance. At Giverny, that means a row of Narcissus ‘Geranum’ edging the path…..

….. or a tumble of hyacinths planted where we can inhale their sweet perfume on the wind….

…… or a truss of fragrant snowball viburnum (V. x carlcephalum) at nose height as we pass by.

10. GARDEN THEMATICALLY: Claude Monet became passionate about Japanese arts and crafts. His large collection of woodblock prints by Hiroshige, Hokusai and Utamaro is still displayed on the walls of his house. And in the garden, he turned to the Japanese landscape school to inspire him in creating his famous lily pond. We see the Japanese influence especially in the presence of the bamboo…..

…daylilies……

….. ‘Kanzan’ flowering Japanese cherry, below, and other Japanese flora in the area…..

…including the brilliant azaleas and Japanese maples on its shore.

10. PLAY WITH A POND: For many visitors, the lily pond at Giverny offers the most intimate connection to Claude Monet, given that the wisteria over the Japanese bridge (like the waterlilies, not in bloom here) is the original vine and the bridge itself……

….still looks much as it did in Monet’s The Japanese Footbridge, painted in 1899.

And, of course, there were his many paintings of the famous nymphaea or water lilies, some of which I saw in 2016 in a magnificent show called Painting the Modern Garden: Monet to Matisse at London’s Royal Academy of Arts

But any pond needs context and perspective and a connection with the rest of the garden, and in this respect, Monet’s pond offers other good lessons. The edges are planted to offer foreground interest no matter where visitors stand…..

…. and the weeping willow lends an air of mystery, its long branches cascading to suggest a gauzy screen.

Standing beside the pond, it’s easy to imagine Monet here with his easel — something made easier considering there is video footage of him painting his famous water lilies here at the pond’s edge.

As we leave the pond and Giverny, it seems appropriate to conclude with one of Monet’s masterpieces, painted exactly 100 years ago, its genius that quixotic alchemy of sunlight, reflection, water and flora which, his vision failing, he strived to perfect for the last three decades of his life. I give you Water Lilies, 1917.

Orange: Three Fruits & a Fish – Part One

Posted on October 23, 2016 by Janet

Well, it’s now October and I resolved back on January 1^st to devote my Paintbox blog this month to the colour orange. Or, as I’ve called it in my title, ‘three fruits and a fish’, which pokes a little fun at the way the English language learned to describe colours, long before Isaac Newton first focused a prism on sunlight and conjured up the ‘visible light’ spectral rainbow in his college room.

“Three fruits and a fish” is not a balanced diet, but a plateful of related colour: orange, peach, apricot and salmon. (And in the interest of trivia, did you know that the fruit orange is classified as a hesperidium or modified berry? I thought not! Peaches and apricots, of course, are drupes or simple stone fruits. You’re welcome.) We all know what a naval orange or sockeye salmon flesh looks like, but what distinguishes peaches and apricots? Well, Wiki defines apricot as a “pale, yellowish-orange color” (or, as I say, halfway from orange to gold), and peach as a “light moderate to strong yellowish-pink to light orange colour” (my emphasis on the pink here, but without sufficient blue pigment to tip it completely into that candyfloss hue).

And what colour is salmon? Wiki says it’s “a range of pale pinkish-orange to light pink colors, named after the color of salmon flesh.” I would disagree with the “pale” part, unless you’re talking about spring salmon J. (Then again, Wiki has this painful, hair-splitting dissertation further down the page: “The color light-salmon is displayed at right. This is a color that resembles the color salmon, but is lighter, not to be confused with dark salmon, which resembles salmon pink but is darker than salmon pink and much darker than light salmon.” Confused yet?) I think of salmon as being a rich colour, as shown in the tropical plants Acalypha wilkesiana and Abutilon, below, in a container at the Toronto Botanical Garden…

Placing my colour arrays together, below you can see more clearly the difference in (clockwise from top left): orange, salmon, peach and apricot.

Orange Array: Tulipa ‘Ballerina’; Florist’s ranunculus (Ranunculus asiaticus); ‘Red Chief’ California poppies (Eschscholzia californica); Iceland poppy (Papaver nudicaule); ‘Tokajer’ blanket flower(Gaillardia x grandiflora); quince (Chaenomeles x superba); Potentilla ‘William Rollson’; butterfly milkweed (Asclepias tuberosa); ‘Bonfire’ begonia (Begonia boliviensis); Dahlia ‘Pooh’; Helenium autumnale ‘Rubinzwerg’; Canna ‘Phaison’
Salmon Array: Tulipa ‘Mariette’; ‘Bowles Red’ lungwort (Pulmonaria); ‘Spicy Lights’ azalea (Rhododendron); ‘Venus’ opium poppy (Papaver somniferum); ‘Pardon Me’ daylily (Hemerocallis); ‘Coral Reef’ beebalm (Monarda didyma); Calibrachoa ‘Superbells Coralberry Punch’; Rosa ‘Carefree Celebration‘; Echinacea ‘Secret Lust’; Diascia ‘Darla Apricot’; Zinnia elegans ‘Benary’s Giant Salmon Rose‘; Dahlia ‘Bodacious’
Peach Array: Tulipa ‘Angelique’; Hyacinth ‘Gipsy Queen’; Itoh Peony ‘Kopper Kettle’ (Paeonia); Oriental poppy ‘Victoria Louise’ (Papaver orientale); Heuchera ‘Marmalade’; Dutch honeysuckle (Lonicera periclyneum ‘Serotina’); Rosa ‘Marilyn Monroe’; Lilium ‘Visa Versa’; ‘Comanche’ waterlily (Nymphaea); Chrysanthemum ‘Sheffield Pink’ (Dendranthema ); daylily ‘Designer Jeans’ (Hemerocallis); Alstroemeria
Apricot Array: Narcissus ‘Fidelity’; Tulipa ‘Cairo’; Pansy ‘Imperial Antique Shades Apricot’; Iris ‘Sunny Dawn’: Heuchera ‘Caramel’; Calibrachoa ‘Superbells Peach’; Rose ‘Honey Perfume’; Nasturtium ‘Whirlybird Series‘ (Tropaeolum majus); Dahlia ‘Sunshine’; Gerbera; Sedum rubrotinctum ‘Aurora’; African daisy (Osteospermum ‘Symphony Series Orange‘)

Looking at the artist’s colour wheel, below, which is essentially a rainbow curved into a circle to illustrate in a visual way the relationships between spectral colours, we see 6 hues marked with a letter. The three marked “P” are defined as primary colours: red, yellow, blue. By combining equal parts of those primary colours with their neighbouring primary colour, we come up with the secondary colours shown and labelled “s”. It is more complicated than that (and of course there are tertiary colours and darker shades and lighter tints) but the point I’m making is that if our gardens were paintings, the visually pleasing ‘complementary contrast’ to the secondary colour orange is the primary colour blue. Keeping in mind that that artist’s colour wheel is just one of several ways of ‘organizing’ colour (the primary colours of light are an entirely different subject), on my power point slide below, orange wallflowers (Erysimum) are perfectly paired with deep blue forget-me-nots (Myosotis sylvatica).

And that’s not to say that orange ‘Beauty of Apeldoorn’ tulips, below, wouldn’t look as lovely with yellow or dark pink flowers as neighbours, but the relationship of the colours blue and orange is inherently a pleasing one to our eyes. And from long observation, I’d add that orange flowers also look good paired with violet, purple and lavender blossoms as well.

Because I love the colour orange and have spent a lot of time observing this colour in gardens and nature, I’ve collected photos of myriad plants with orange flowers (and colour companions for those), as well as plants with orange berries and orange fall leaf colour. (Read my blog on orange autumn leaves here.) I’ve even assigned orange-coloured plants to their growth type and seasons, below.

Spring Bulbs

So let’s explore orange in the garden beginning with some of my favourite spring blossoms, then hardy summer bulbs and perennials. In my next colour blog, I’ll talk about orange-flowered and orange-leafed roses, shrubs, tropicals and annuals. And let’s begin – as the flowering year does – with crocuses. Who doesn’t love a good apricot-orange crocus, like C. x luteus ‘Golden Yellow’? Honey bees do, I can assure you.

I’m a sucker for perfumed hyacinths (Hyacinthus orientalis) – I buy a few dozen every couple of years, and love them even better when their form relaxes in years 2 and 3. (But don’t count on them hanging around forever.) If I were planting hyacinths with little blue bulbs like striped squill (Puschkinia scilloides), I’d definitely choose peach-orange ‘Gipsy Queen’, below.

Then there are daffodils. Have you grown any split-corona or butterfly types? One of the most spectacular is also one of the most pronounced “orange” daffs. Meet ‘Orangery’.

Since I’m a gardener who enjoys naturalistic, meadow-style gardening, I can’t say I’ve ever been a great fan of the big crown imperial fritillaries – a bit too stiff for me. But you must admit that Fritillaria imperialis ‘Rubra Maxima’ would make a splash, especially in a formal garden.

Orange tulips like lovely ‘Beauty of Apeldoorn’ pictured above are fairly common, and personally, I love planting them with pink tulips, because winter is just too long and cold not to celebrate with a riot of warm colour in spring. Here are some of my other orange favourites: 1 – Orange Emperor, 2 – Daydream, 3 – Irene Parrot, 4 – El Niño, 5 – General deWet, and 6 – Ballerina.

The lily-flowered tulip ‘Ballerina’ deserves special mention. It really is a wonderful dancer.

And I cannot leave tulips without paying tribute to one of the peacocks of the spring bulb world: the parrot tulip. This is ‘Salmon Parrot’. It won’t last long – it’s definitely not a ‘perennializer’ – but if you’re this stunning, you don’t need to hang around forever.

Hardy Bulbs

Hardy lilies (Lilium) in shades of orange are a dime-a-dozen too, and I’ve gathered a few combinations featuring purplish perennials. There’s old fashioned speckled tiger-lily (Lilium lancifolium), here consorting fetchingly with ‘Fascination’ Culver’s root (Veronicastrum virginicum).

And one of my newest favourites, Lilium henryi, shown here with hoary skullcap (Scutellaria incana) in the Piet Oudolf-designed Seasonal Border at the New York Botanical Garden.

Should you desire some knock ‘em dead perfume in the summer garden, you can always plant a few ‘African Queen’ trumpet lilies. Mmmm…..

But for the world’s most delicate, elegant lilies, you need a martagon or two, especially in conditions of light shade. On the left, below, is ‘Sing Out’, on the right ‘Burnt Orange’.

Where it’s hardy (Zone 6), Crocosmia ‘Emily McKenzie’, a corm that is planted in early spring, is a wonderful deep-orange hit for the garden. And like all crocosmias, it’s a hummingbird favourite. I loved the double-header below at Vancouver’s Van Dusen Gardens with ‘Emily McKenzie’ in the foreground and an orange Helenium autumnale (perhaps ‘Rubinzwerg’) in the rear, sandwiching a white echinacea.

Stately foxtail lilies (Eremurus), though considered a ‘fleshy root’ rather than a bulb, are nonetheless often sold in autumn along with bulbs. They can be orange, white, yellow and peach and add a gorgeous vertical note to early summer plantings (plus bees adore them). I thought this joyous planting of Eremurus ‘Cleopatra’ with corn poppies (Papaver rhoeas) in a mixed meadow planting of annuals and perennials at Chanticleer Gardens in Wayne, PA was one of the prettiest combinations I’ve seen.

Here it is again, showing the entire Rock Ledge Garden at Chanticleer. That’s dark purple Salvia nemorosa ‘Caradonna’ at the bottom.

Perennials

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While on one of my late spring visits to Vancouver’s Van Dusen Gardens, I was wowed by this mass waterside planting of Euphorbia griffithi ‘Fireglow’.

And there are beautiful orange primulas for damp places in spring. Look for Primula bulleyana, below….

… and the rich orange form of cowslip (Primula veris).

The best peonies can do in the orange department is coral, which is just a teensy bit redder than salmon. But there are some beauties, including the four below, clockwise from upper left: ‘Constance Spry’, ‘Coral Sunset’, ‘Coral Supreme’ and ‘Lorelei’.

There are some luscious peaches in the Itoh Peony group (hybrids between tree peony and herbaceous peony), including ‘Kopper Kettle’, below, with Salvia nemorosa ‘May Night’.

The genus Papaver boasts many orange-flowered species, but none are more flamboyant than old-fashioned Oriental poppy. This is Papaver orientale ‘Prince of Orange’.

And you will always find bees and hoverflies on wonderful little Moroccan poppy (Papaver atlanticum ‘Flore-Pleno), which is surprisingly hardy (USDA Zone 5) and easy to grow in all soils.

Bearded irises are the prima donnas of the early summer garden, and you can find them in the most wonderful shades of peach, bronze and clear orange, like the tall bearded ‘Orange Impact’, below.

I was intrigued to find beautiful copper iris (Iris fulva) growing on New York’s High Line. Honey bees had found it too, but its natural pollinators in the Mississippi Valley are hummingbirds. This orange-flowered member of the Louisiana Iris group likes damp (even wet), slightly acidic soil and is supposedly hardy to USDA Zone 5.

Verbascums can be found in apricot-orange (‘Helen Johnson’ among others), but this delicate June pairing in pale peach caught my eye at Toronto’s Casa Loma: Verbascum ‘Southern Charm’ and Sicilian honey lily (Allium siculum, formerly Nectaroscordum).

One genus that’s seen a lot of hybridizing in recent decades is red-hot poker or torch lily (Kniphofia). Since they grow naturally in hues of orange or yellow, there is an abundance of choice here. I loved this fun mingling of Allium ‘Lucille Ball’ and Kniphofia ‘Flamenco’ at Chanticleer, in Wayne, PA.

And don’t forget about heucheras; they’re a treasure trove of peach and bronze-orange foliage possibilities. Here’s Heuchera ‘Caramel’ with dwarf Kniphofia ‘Mango Popsicle’.

Daylilies, of course, offer a motherlode of orange choices, not just in orange, shown in a few samples below (Clockwise from top left: Hemerocallis fulva ‘Kwanso’, Kansas, Challenger, Lady Lucille, Rosalind, Furnaces of Babylon)….

…. but there are loads of peach (left) and apricot (right) cultivars, below, too. And note that in the daylily world, “lavender” is often (peachy) wishful thinking. (Top, left to right: Uptown Girl, Strawberry Candy, Chicago Peach, Second Glance; Middle: Empress Josephine, Designer Jeans, Scatterbrain, Ellen Christine; Bottom: Lavender Illusion, Lavender Patina, Brookwood Double Precious, Fan Dancer).

Daylilies are so prolific and varied in colour, they can be forgiven their need for constant deadheading and propensity to browning foliage in late summer, etc. So they’re best paired with other plants, like this duo at the New York Botanical Garden: Hemerocallis ‘Poinsettia’ with balloon flower (Platycodon grandiflorum).

The vast daylily collection at Montreal Botanical Garden offers lots of brilliant ideas for partnering, including this bronze-orange ‘Chelsey’ helenium (Helenium autumnale) with lovely Hemerocallis ‘Cherokee Pass’.

One of the best perennials for dry gardens is hybrid blanket flower (Gaillardia x grandiflora). Provided you keep it deadheaded, it will flower from early summer well into autumn, and the bees will thank you. Though most are bicoloured red-yellow or red, I have grown a beautiful orange one: G. x grandiflora ‘Tokajer’. It lasted for three years or so, and I missed it terribly when it didn’t come back one spring, possibly after a winter without sufficient snow cover.

I’ve written before about my favourite orange-flowered perennial, butterfly milkweed (Asclepias tuberosa), which is simply unparalleled for attracting pollinators (including the monarch butterfly, which uses it as a larval food).

And it’s fun if you want to create a little heat, colour-wise, as I’ve done below, pairing it at my cottage with bright-red ‘Firebird’ echinacea.

Speaking of heat, orange flowers are often the backbone of hot-coloured schemes in the garden, whether paired with reds and golds, as with Echinacea ‘Tangerine Dream’ and ‘Secret Glow’, below….

… or with hot-pinks, below. On the left is butterfly milkweed with the pink ‘Orienpet’ lily ‘Robina’, on the right is the double daylily Hemerocallis ‘Kwanso’, with a bright pink summer phlox.

That’s a good first look at hardy orange bulbs and perennials. Next time, we’ll explore orange-flowered shrubs, annuals and tropicals, and a few design touches to add a little orange punch to your garden.

Janet Davis Explores Colour

In the garden & the world

Category Archives: Bulbs

Design With Tulips Like the (Soon-to-be-Much Bigger) Toronto Botanical Garden

Celebrating Canada’s 150th at Ottawa’s Tulip Festival

A Tour of My Spring Garden

Spring Lessons from Giverny

Orange: Three Fruits & a Fish – Part One

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