Cruising the Eastern Arctic – Sunneshine Fjord

It was our fourth day in Nunavut cruising aboard the MV Sea Adventurer. After our initial visits to Iqaluit and Pangnirtung, we were now heading towards Cape Dyer, which in a few days would be roughly our departure point across the Davis Strait to Sisimiut, Greenland.

Fog blanketed the Arctic, which meant, for the captain, it was slow going.

In the lounge, Heidi Langille, who resides in Canada’s capital city Ottawa, gave an afternoon lecture on what it was like to be an “urban Inuit”.

That evening after dinner, there was music on deck and Heidi and our other Inuit cultural emissaries demonstrated some traditional games of strength…..

….. while we cheered them on.

The next morning, the sun was warm on the east coast of Baffin Island as we made our way up the appropriately-named Sunneshine Fjord –   also seen as Sunshine Fiord in some references….

….and dropped anchor.   

The zodiacs ferried us to a wet landing on shore. It’s interesting that, if you’re a resource staffer on an Adventure Canada expedition, you must also know how to captain a zodiac. That goes for (now retired) art and culture director Carol Heppenstall, standing in the blue life-vest to the left of (now retired) expedition leader Stefan Kindberg.

When you land on an unoccupied shoreline in Nunavut, there’s a good chance that even though there are no human occupants, there may well be polar bears. Thus, our expedition leader Stefan Kindberg carried both a handgun and rifle. Fortunately, he’s never had to use them, and commented dryly: “You don’t ever want to have to shoot a polar bear in Canada. Too much paperwork!”

We were invited to explore the landing area. We could stay on the beach, work our way around the lower slopes, or climb right to the top.

My husband Doug (below) elected to stick near the shore.  I was happy we’d purchased new walking poles….

….and, again, I was delighted with my new rubber boots. Wearing them, I was able to shake up a lot of green algae in the shallow water of this intertidal zone.

I loved looking at the seaweed.  So many different species….

….. each with its own ecological community….

….. and adapted to the seasonal mix of salt and fresh glacial meltwater in the fjord.

Some of our group elected to climb to the summit, but I was most anxious to botanize on the lower slope.

This part of Sunneshine Fjord was a perfect place to be. The moraines were gently sloped, the sandy beach quite wide, the fjord deep enough for our ship, and these slopes – so monotonously featureless and olive-brown as the ship sails past them – were absolutely brimming with plant life.

Unless you get closer, you might not guess that those lighter areas on this hillside….

…… are colonies of mountain avens (Dryas integrifolia) wreathed in creeping willow shrubs.

Or that these paler drifts….

…… are Arctic heather (Cassiope tetragona), sometimes punctuated with hairy lousewort (Pedicularis hirsuta).

Here’s a closer look at hairy lousewort to illustrate the trait that earned its name.

Morning dew was still on this pair of natives: Arctic harebell (Campanula uniflora) with large-flowered wintergreen (Pyrola grandiflora).

Arctic cinquefoil (Potentilla hyparctica) is a circumpolar species, also native to Alaska, the Yukon and Norway’s Svalbard archipelago. 

Arctic blueberry or bilberry (Vaccinium uliginosum) would bear its fruit in August – with only birds and small mammals to appreciate it.

A butterfly was nectaring on moss campion (Silene acaulis).

Arctic poppies (Papaver spp.) were in flower….

….. and dwarf fireweed (Chamerion latifolium), too.

Moss had colonized the rocky outcrops in the damper areas.

There was runoff from the small glaciers beyond the summit.  Though Sunneshine Fjord is not directly related to Baffin Island’s Penny Ice Cap, it has (like all parts of the Arctic) drainage from abundant snow and ice on the upper elevations.

Here we see Arctic willow (Salix arctica) clinging to a boulder beside the waterfall.

Arctic willow grew everywhere on our expedition. One of thirteen species native to Nunavut, it grows farther north than any of the other willows and is the most common willow on Arctic islands.  Usually prostrate, it can also change its growth habit in certain circumstances and become erect, with a height up to 1 metre (3 feet).  Its hairy leaf reverse is a distinguishing characteristic, versus the similar-looking northern willow (Salix arctophila), which has glabrous or smooth leaves.  It can be very long-lived, with a Greenland specimen dated to 236 years.  Its leaves are edible and Inuit people traditionally peeled and chewed the roots of this plant they call suputiksaliit to relieve toothache – recalling the general pharmaceutical use of salicylic acid derived originally from certain Salix species as aspirin (now made synthetically).  When Arctic willow seeds ripen, they are surrounded by fluffy hairs (willow cotton) that help them disperse on the wind.

I spotted some bearberry willow (Salix uva-ursi) as well, but I was most interested in the beautiful black lichen on this rock, sensibly called black lichen (Pseudephebe minuscula, formerly Alectoria).

Here you can see how black lichen develops and grows. The study of the growth rate of lichens, by the way, is called lichenometry.

Some of the resource personnel were capturing the scene on the lower slope. This is Kenneth Lister, now retired as a curator of Arctic anthropology at the Royal Ontario Museum.  

Dennis Minty, below, is a well-known photographer on many Adventure Canada expeditions.

It was challenging to walk back to the beach through the glacial debris field.

This cobble sandbar jutting out from the beach was raised enough that I was able to make our ship look like it was sinking.

The air on the last day of July was quite warm and wisps of advection fog came and went above the cold Arctic waters.

Walking back to the beach where the zodiacs waited, I was fascinated by the stunning rock formation below, exposed by the ocean waves (and perhaps glacial ice?) along the fjord. It was beautiful and mysterious. Until this week, I hadn’t made a serious effort to discover more. This is, after all, a very isolated part of Nunavut: perhaps some Inuit fishermen come in here, the odd scientific expedition, and a handful of summer adventure cruises over the decades,(sea ice and weather willing).

The rocks, though fractured, were beautifully banded, similar to the banded gneiss, below, that I love photographing on the highway near our cottage on Lake Muskoka north of Toronto. A Precambrian rock, it is part of the Grenville Province (Muskoka Domain, Moon River Lobe) and is dated to about 1.4 billion years before the present, i.e. the Paleoproterozoic Eon (literally “before animals”).

Could my Sunneshine Fjord rocks be that old? I reached out via email to some geologists whose names I found online associated with the Cumberland Peninsula or Cape Dyer just north of the fjord. At one time during the Cold War between the west and Russia (1958-92), Cape Dyer was a radar station and part of the DEW Line, the Distant Early Warning System. Today it’s one of 40 sites across the north that has had to be cleaned up (at a cost of $575 million) to get rid of contaminated soil, fuel tanks and other debris.

I received a nice email in response from Dr. John T. Andrews, Professor Emeritus and Senior Fellow with the Institute of Arctic and Alpine Research at the University of Colorado. He had done glacial/climate change research near Cape Dyer and wasn’t sure about my rock, but kindly sent me the abstract for another geologist’s paper on the region’s volcanic history. This paper describes the field relations of Tertiary basalts which are preserved as small patches intermittently along the coast for 90 km northwest from Cape Dyer, Baffin Island. The flat-lying, subaerial lavas generally rest directly on the Precambrian basement but in some localities a thin sequence of terrestrial sediments intervenes between the basement and the volcanics. Where the sediments occur, the overlying volcanics tend to be divisible into a lower unit of subaqueous volcanic breccia and an upper sequence of subaerial flows. In age, stratigraphic position and magma-type, these volcanics strongly resemble those of the basalt province of west Greenland. A model is presented for the generation of both provinces in a single volcanic episode, related to the opening of Labrador Sea – Baffin Bay by continental drift.

Wow! A volcanic episode had ruptured Greenland from Baffin Island? I suppose I should have studied up on the basic tectonic relationships of the Eastern Arctic before going further. But my banded rocks in Sunneshine Fjord didn’t look like the columnar basalt formations from the Columbia River Basalt Flood, below, that I had photographed in northeast Oregon two years ago and written about in my blog on Oregon’s Thomas Condon Paleontology Center.

After a few days of searching on Google, I must have put in some magical search parameters (fiord, not fjord, etc.) and came up with a Research Canada page containing a full geological map of the area around Sunneshine Fjord, below!

http://publications.gc.ca/collections/collection_2013/rncan-nrcan/M183-1-6-2011-eng.pdf

When I enlarged the map, I thought I could spot the exact area with the cobble sandbar that we had visited, marked with a red arrow below!

Detail from http://publications.gc.ca/collections/collection_2013/rncan-nrcan/M183-1-6-2011-eng.pdf

The lead author was geologist Dr. Mary Sanborn-Barrie. I sent off an email with photos of my rocks, but didn’t hear anything back right away. Maybe she was in the field, out of wifi range, dubious about such a random email from someone she didn’t know? But then I received a reply from her and it made me so happy. Because my rocks were old, really really old!

Hi Janet

What a beautiful exposure of rocks you were able to explore on the shoreline. Our mode of transport was helicopter drop-off and then walking all day, so we rarely (if ever) got to map such gorgeous wave-washed exposures.

Actually your photographs appear to be of the oldest rocks in the region, rather than the youngest! They appear representative of the deformed and layered Archean (A) tonalite gneiss (tg) basement (unit Atg in the legend below) that underlies much of Cumberland Peninsula and which is dated at two localities at 2,990 million years old and 2,940 million years old.  The pale grey layers are foliated tonalite and any biotitic and/or mica-rich layers (unit Asp in the legend below) are likely even older sediments that were intruded by the tonalite.  Upon closer inspection, such mica-rich may also contain garnet and/or silky silvery sillimanite – both minerals diagnostic of high-alumina sedimentary rocks.

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Here’s an enlargement of the legend to which she referred:

Detail of legend http://publications.gc.ca/collections/collection_2013/rncan-nrcan/M183-1-6-2011-eng.pdf

I was so happy I’d made closeup images of the rock layers, below. Imagine! These Archean rocks at 2.99 – 2.94 Ga (Giga annum or billion years) are twice as old as the rocks on the highway near my cottage, from an eon whose name comes from the same root as “archaic” stretching back 4 billion years.

I had photographed the upper slope from the beach, below, and all I could see was more of the same, but there were, in fact, some much younger rocks in places at the top of the cliffs on Sunneshine Fjord. Dr. Sanborn-Barrie included information about those rocks as well, as she continued in her email (below my photo).

These tectonically layered rocks (as opposed to the bedded (primary layering=strata) observed in the Tertiary sequence) underlie (that is, they are low on the cliffs) the much younger, unconformably overlying Tertiary basalts that erupted about 60-55 million years ago during spreading of the Baffin basin. She also enclosed a photo of herself examining those overlying Tertiary basalts with a view across the fjord to basalts atop the ancient rock.

Photo of geologist Mary Sanborn-Barrie by mapping co-leader, geologist Michael Young

And she provided an info-card using a photo from Sunneshine Fjord showing what is meant in geology by “unconformably” or “unconformity” (n.): meaning “a series of younger strata that do not succeed the underlying older rocks in age or in parallel position, as a result of a long period of erosion or nondeposition.” Thus, we don’t know what happenened here between 2.9 Ga and 60-55 Ma because all the physical evidence for that vast period has disappeared. That break in the record is called a “hiatus”.

Photo courtesy Dr. Mary Sanborn-Barrie, Research Canada

Returning now to that wonderful last day of July in 2013, it was time for us to climb into the zodiacs, board the ship and take our leave of Sunneshine Fjord.

It was so warm outdoors that a barbecue lunch was served on the rear deck……

…… complete with grilled chicken and steak.

Passing an iceberg…..

…..we bade farewell to the coast of Baffin Island, Nunavut and Canada.

Hours later, I was happy I hadn’t consumed too much wine at that lovely lunch because I was flat on my back in my bunk, having taken a motion sickness pill and given up on trying to read. Every now and again, I’d pull myself up to look out the window at the 9-foot swells that had the ship rocking back and forth like a slow amusement ride… for hours and hours.  My husband, who doesn’t get seasick, returned from dinner and announced cheerily: “Well, you’re in the majority! And some people left the dining room in a big hurry!”  I groaned and closed my eyes and thought of a young Charles Darwin, often seasick in his hammock on his five-year voyage aboard The Beagle.  “I hate every wave of the ocean, with a fervor,” he wrote to a cousin in 1835.

Fortunately, morning did come, the seas calmed, and we arrived on a sunny August 1st on the west coast of Greenland. Coming up in my next blog: Sisimiut.

That Morning Sun – Our Constant Star

I am posting this last (for now) musical blog in #mysongscapes of winter 2020 from my bed at home where my 2-day old bionic knee is being massaged by the ice machine.

I typed that first line last week so I’d have my blog all ready to post, before my eldest son in England convinced me to call the surgeon’s office Monday and cancel my St. Patrick’s day knee replacement, which was booked last autumn. “Why would you subject yourself to elective surgery, plus months of outside physiotherapy, with the increased risk of contagion? This thing is coming to the UK now and it’s coming to you.” So I did cancel my operation – at the same time as my provincial government asked hospitals to cancel non-essential surgeries. My non-bionic knee and I are together for a while longer. Sadly, I don’t have my dramatic first sentence anymore, but that’s perfectly okay.

This year, more than ever, I am so happy that spring is imminent, arriving at precisely 11:49:28 pm Eastern Daylight time tonight. At that moment, i.e. the vernal equinox – from the Latin aequinoctium or “equal night” – we reach the point in our year when earth experiences an equal number of hours of daylight and darkness (though apparently there is a teeny bit more daylight than dark at our latitude because of our atmosphere!) According to Wikipedia, “An equinox is commonly regarded as the instant of time when the plane (extended indefinitely in all directions) of earth‘s equator passes through the center of the sun.”  Intriguingly, this is also the earliest vernal equinox in 124 years.

I’m not an early morning person so I don’t photograph many sunrises, but this was a pretty one in Chicago a few years ago. That ball of yellow lighting up Lake Michigan is approximately 4.6 billion years old. The sun is not much older than earth, since our own planet is believed to have accreted 4.5 billion years ago from the solar nebula, i.e. the cloud of dust and gas that orbited the sun after its own formation.  It is a fiery ball of hydrogen and helium and though it looks massive to us (according to NASA, if the sun were hollow it would take 1.3 million earths to fill it up), it is a “yellow dwarf” or “G-type main-sequence star”.

The sun is our very own star, the centre of our solar system. It was rising over the savannah, below, when I was on safari in Kenya a few years ago. But our solar system is likely just one of billions of planetary systems in our own galaxy, the Milky Way, though only some 2,500 have been counted so far. And the Hubble explorer telescope has estimated some 100-200 billion galaxies in the universe, full of their own stars and planetary systems. The numbers boggle the mind.

In the southern hemisphere, the March equinox is the beginning of autumn. In the northern hemisphere winter is now officially over, even if it likes to hang around and harass spring with the occasional late snowfall – illustrating why glory-of-the-snow, below, is the perfect common name for Scilla forbesii, formerly Chionodoxa…..

…..and why crocuses have the good sense not to open wide until the snow melts and “that morning sun” shines down on them…..

…. and why Iris ‘Katharine Hodgkin’ (Iris winogradowii x Iris histrioides) is such a wonderful little trooper, given she seems to shrug off the most inclement weather….

…. then goes on to shine with her garden friends, the orange crocuses (C. x luteus ‘Golden Yellow’) a few days later!

In other words, in springtime in Canada, it pays not be the early bird – unless you’re a robin finding nesting material….

…. but wait until the spring sun teases open your shy flowers, like winter aconite (Eranthis hyemalis), below, which exhibits “thermonasty” in the presence of sunshine (i.e. it opens its tepals, which stay closed in cloudy, cool weather).

It has been quite a wild winter, hasn’t it? Not necessarily weather-wise, since we’ve had milder weather this year than many winters, as you can see from my highly unscientific snowdrop almanac below…..

…… but it was a life-altering kind of winter, with cataclysmic global shocks to which most of us are complete strangers. We like to think we are in control of our health. We trust our governments (mostly) to do the right thing. We take our creature comforts for granted. We think we need the company of other people. We engage in dark humour, then feel bad for trying to make light of a dire situation.  We worry – about our families, our friends, even people we don’t know who are going through trauma in these times of contagion. Our retirement funds are tanking. We are frightened, but try not to panic. And viruses aside, winter can be hard emotionally, the low light levels, the absence of green and living things, the constant cold. Seasonal affective order literally making us sad or depressed. So the coming of spring this year is more than welcome; it seems like a miracle of normalcy. That daffodils and hellebores will bloom once again….

….. and crocuses will spread their cheer.

The little spring bulbs always inspire me to create tiny bouquets…..

…. which generate an abundance of joy in inverse proportion to their size.

Witch hazels will unfurl their ribbon petals, if they haven’t already….

…. and the oft-unnoticed flowers of willows will attract native bees….

…. as will the intricate flowers of red maple (Acer rubrum).

Have you ever looked closely at maple flowers? They are tiny miracles of complexity. This is silver maple (Acer saccharinum).

It pays to peer closely at the little blossoms of cornelian cherry (Cornus mas) as they open. Aren’t they beautiful?

It doesn’t matter how many times I photograph ‘Leonard Messel’ magnolia (M. x loebneri); I am always bewitched by its grace and beauty.

Brassy forsythia isn’t on everyone’s favourite list for spring, and it’s easy to see why. But this enchanting combination of pale-yellow weeping forsythia (Forsythia suspensa) and Siberian squill (Scilla sibirica) at Toronto’s Spadina House always intrigues me. There’s just something about yellow and blue in springtime.

As the sun strengthens, buds will burst open on the trees, like this velvety parcel of shagbark hickory flowers (Carya ovata)….

…. and this exuberant explosion of flowers and leaves on Manchurian maple (Acer tegmentosum).

Leaves, of course, are the most important partners of our sun. It is leaves like the white oak leaves, below, that harvest the energy of the sun during photosynthesis…..

……absorbing carbon dioxide through the stomata and water from the roots to synthesize carbohydrates for the tree while releasing as a waste product the oxygen that permits the existence of life on earth. It is much more complicated than that, of course, with light cycles and dark cycles, but in essence this is the power of green leaves and that morning sun.

So as winter ends and spring begins, I’d like to offer a toast to the sun that will greet us tomorrow morning and every morning after that. Our constant star. And, of course, I have a song for that!

*********

The last song of #mysongscapes is one I heard for the first time only last year, by an artist I didn’t know at all before then.  Melody Gardot has quite a story herself, one that makes coronavirus look manageable. She started music lessons at the age of nine. By16 she was playing piano in Philadelphia bars on the weekends: the Mamas and the Papas, Radiohead, Duke Ellington. In 2004 at the age of 19, she was studying fashion when she was struck on her bike by an SUV making an illegal turn. She sustained a serious head injury as well as spinal and pelvic injuries. At first she couldn’t talk or move and suffered from memory loss. In a hospital bed for a year, she had to re-learn simple tasks. It would take her three years to speak properly.

Photo by Stefanie Meynberg

Music was the primary tool in helping her recover. As she said in an interview with The Brisbane Times: “Music is one of the only things that helps to reconnect neural pathways in our brain: listening, performing, singing, making a verbal attempt to sing along or hum. In my case this was why it was pointed out to me. First because I had some experience as a young person playing piano bars and so it was an innate ability but furthermore because of its ability to really help me progress when no other progress can be made.” Eventually, after much else failed, her doctor encouraged her to work with music so she began to hum, then sing into a tape recorder, then write her own jazz-inflected songs. She learned to play guitar lying on her back. Within a few years, her songs were being played on the radio in Philadelphia. She released an EP that met with success and was signed to a record label. She began touring, using a cane and wearing dark glasses to combat the acute sensitivity to light caused by the brain injury. In 2017, she moved to Paris. In the jazz world, she’s an enigmatic superstar.

In other words, Melody Gardot has seen the worst adversity life can deal and met it head on. Her song, the last in the #mysongscapes series of blogs, offers us that most elemental of comforts: optimism. That the sun will come out again in our hearts; that it will bathe us in its warmth; that it will be our light at the end of our tunnel. Spring is here, and that morning sun has come to greet us. Let me tell you, honey child.

THAT MORNING SUN (Melody Gardot, 2015)

There little babe, don’t you cry
We got that sunny morning waitin’ on us now
There’s a light at the end of the tunnel
We can be worry-free
Just take it from me
Honey child
Let me tell you now, child

That morning sun is here to greet us
With her loving light so warm
That morning sun is here to meet us
Waitin’ on the wakin’ up of everyone

She ain’t gonna quit ’till you’re smiling now
Lemme tell you, child
Lemme tell you, honey child

That morning sun
Has come to greet ya
She’s peekin’ round the corner
Just a-waitin’ just to meet ya
Shinin’ down on all your troubles
Lemme tell ya, child
Lemme tell ya, honey child

‘Cause this world was made for dreamin’
This world was made for you
This world made for believin’
In all the things you’re gonna do
Now, honey child
Lemme tell ya now, child

‘Cause this world was made for dreamin’
This world was made for you
This world made for believin’
In all the things you’re gonna do
Now, honey child
Lemme tell ya now, child

Ah, honey child,
Lemme tell ya, child
Ah… honey child
Lemme tell ya, child 

************

This is the 21st and final blog in #mysongscapes series of winter 2020 that combine music I love with my photography. If you enjoyed reading it as much as I enjoyed writing it, have a look at the others.  And please leave a comment if you enjoyed any of them. I haven’t run out of songs, though, so I may throw in the odd new one over the months and seasons to come.

  1. Joni Mitchell’s ‘Night in the City’;
  2. Paul Simon’s ‘Kodachrome’ and my life in photography;
  3. Vietnam and Songs of Protest;
  4. Galway Bay and memories of my grandfather and Ireland;
  5. Simon and Garfunkel’s Parsley, Sage, Rosemary and Thyme;
  6. The John Denver lullaby I sang to my first grandchild, Today While the Blossoms Still Cling to the Vine.
  7. Gordon Lightfoot for a Snow Day
  8. Madame George by Van Morrison – my favourite song in the world
  9. Brown Eyed Girl(s) – Van Morrison’s classic and my black-eyed susans
  10. Raindrops – on flowers and in my gardens
  11. Miss Rumphius and the Lupines
  12. Bring me Little Water – on water in the garden
  13. Amsterdam… Spring Sunshine – a Dutch travelogue and a brilliant Broadway play
  14. Both Sides Now – a reflection on clouds and Joni Mitchell
  15. Crimson & Clover and Other Legumes – a love letter to the pea family, Fabaceae
  16. Mexico – James Taylor serenades in my travelogue of a decade of trips to Mexico
  17. Crystal Blue Persuasion – blue flowers in the garden
  18. My Bonny – remembering the late Laura Smith (and my dad)
  19. Up on the Roof – a Carole King love-in and a lot of green roofs
  20. Singing Malaika in the Serengeti